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FALL 2007
ENGL 984 Seminar in British Literature: Literature of the
Irish Diaspora and Expatriation
Dr. Jim Cahalan
M 6:00-8:45 p.m.
(Ph.D. students only)
Beyond its Irish focus, this seminar
will be of interest to students interested in postcolonialism and globalism,
nationalism and internationalism, and class and gender—for starters. This
will be an Irish case study of the diaspora—that painful and complex
phenomenon also well known to many other historically oppressed peoples,
such as Jews and Africans. It will bring together a number of authors and
issues of longstanding interest to me, but within a configuration of a topic
that I’ve never specifically taught before, so I’m especially excited about
this course. Since there is not a single definitive book study of this
subject, but rather a great many different and invaluable sources, I’ll be
using a packet of critical, historical, and theoretical readings to augment
and inform our primary works as we go along. Most of our primary books are
novels, and the United States and several of its Irish-American authors will
be particularly emphasized, but we’ll also read two nonfictional books—a
history and a memoir—and books set in England, Canada, Australia, and even
Ireland. Our two most famous authors were Dublin natives who spent their
adult lives, between the two of them, in France, Switzerland, and the city
of Trieste (itself a transnational place), so quite a few different
countries figure in this course in one way or another. After all, there are
far more Irish people living outside Ireland—even since the economic
upsurge called the “Celtic Tiger”— than on that celebrated island itself,
which is a bit smaller than the state of West Virginia. Every week, for
example, people living around the world (like me) read the online “Irish
Emigrant” (http://www.emigrant.ie/).
Though the Irish diaspora began much earlier, all of our
works are from the twentieth and twenty-first centuries.
Here follows the first part of my
probable primary reading list: Joyce’s A Portrait of the Artist as a
Young Man (1916), the classic novel of preparing for expatriation; J. P.
Donleavy’s The Ginger Man (1955, 978-0802150370), complementing
Portrait as the wild account of an Irish-American returning to his
parents’ country in order to study, supposedly, at Dublin’s then-Protestant
university, in contrast to Joyce’s novel set partly at Dublin’s
then-Catholic university; Samuel Beckett as Murphy (1938,
978-0802150370) in London before this equally famous Dublin native moved on
to France; a quite different, female account of Irish expatriation in
London, Edna O’Brien’s Girls in their Married Bliss (1964,
978-0802150370); Australia and the wider world in Thomas Keneally’s The
Great Shame: And the Triumph of the Irish in the English-Speaking World
(1998); Montréal as seen through the eyes of Irish native Brian Moore in
The Luck of Ginger Coffey (1960)—and in our major U. S. sequence, Edwin
O’Connor’s The Last Hurrah (1956), William Kennedy’s Billy
Phelan's Greatest Game (1983), and Alice McDermott’s Charming Billy
(1998) as well as (after those three U. S. natives) works moving back and
forth between the U. S. and Ireland: Frank McCourt’s Angela’s Ashes:
A Memoir (1996) and selections from Colum McCann, John Montague,
Eavan Boland, Seamus Heaney, and Paul Muldoon. The three books above with
ISBN numbers listed after them are books that I’ll definitely use early in
the course, so the ambitious can order those particular editions ahead of
time, and then you can order the others in September after you make sure I
haven’t changed any of the other titles on my actual syllabus, on which I’ll
clarify which editions (always the cheapest) to order. Do NOT
buy Joyce’s Portrait ahead of time or check some edition out of the
library; I’ll definitely begin the course with its Dover edition, but it
will be available at the IUP Co-op Bookstore (as will all the others) for
about $2.00, so there’s no way you can order it yourself that cheaply, I
want us all on the same page numbers in each of the books, and if you want
to make a head-start you can go buy it at the Co-op store in July or August,
if not earlier. Hold off on the others, the ones without ISBNs, until
September; if I change my mind about using any of them (I’m writing this way
back on March 26), I don’t want you mad at me. Always keeping your wallets
in mind, I estimate that you should be able to buy our books on Amazon
(often used copies) for a TOTAL of about $55, a sweet deal.
I’ll show you a stimulating documentary our first night, and at our last
class I’ll show the great Irish-American New York film In America
(2002) during the week when you’re writing your papers. Feel free to email
me at
Jim.Cahalan@iup.edu with any questions. See you at the end of August!