Gian S. Pagnucci, Ph.D.
Department of English
Indiana University of Pennsylvania
 
           


Gian Pagnucci

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Indiana University of Pennsylvania

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English 846: Narrative Research

Narrative Paper

Dr. Gian Pagnucci

Course Paper Overview

Each student in the class will be asked to write a narrative research paper of their choosing. We’ll share these narratives together in class as a community of writers, reading drafts of the papers at various stages. We’ll also discuss the craft of writing powerful narratives.

Freedom of Expression
I want to encourage you to feel free to experiment with this paper. In fact, I want you to feel safe to write anything you'd like to for this class. Use this class as your one chance to write a paper in which you are unconstrained.

Paper Genres
You may write on any topic you choose using any sort of genre you find useful. While I don't want to limit your choices, I do know some writers are helped by being given a starting point. So below are some basic ideas you might wish to explore. Again, let me emphasize that I am not requiring or stressing any one of these forms over any other. In fact, what will please me the most is for you to pick a topic/genre that you really feel moved to focus upon in your writing.

  • educational narrative: you might wish to try writing a story about a school-based experience, perhaps about something that happened in a class you taught or were taking; these types of narratives are the ones you would have the best chance of publishing in an academic journal; these types of narratives are also usually good starting points for narrative-based dissertations

  • research narrative: you might wish to try your hand at conducting and reporting a mini-narrative research project; for example, you could try interviewing a person (perhaps an important family member like an elderly relative), recording some of their life stories, then writing and interpreting those stories for an audience of teachers/scholars

  • creative non-fiction story: you might wish to write a narrative about an experience you have had, or someone you know has had, that was not school-related; these types of stories often can serve as entry points into issues important to your view of education and/or life; sometimes these make for good early chapters in a dissertation to help explain the researcher's personal relationship to the dissertation topic

  • fictional short story: you might want to make up a story as a way to help you explore the craft of writing a good story

  • exposition of a narrative-based issue: you may wish to write about some issue of central importance to narrative research, such as the importance of writing the "truth" or the nature of "framing" stories

  • analysis of a narrative: you might want to take a narrative, perhaps a published one or a student paper or family story, and explore how the story is constructed, what its significance is, and how the story works as a piece of research and/or fiction; this type of paper would likely draw on your knowledge of literary analysis

  • hypertext story: if you are more technologically inclined, you might perhaps enjoy creating a multi-branched story using the web/hypertext

  • alternative forms: while I'm pushing stories in this course, you might find it meaningful to create a paper that makes use of some alternate form or genre; you could, for example, incorporate poetry, lyrics, or art into your writing, perhaps exclusively; there are probably many other sorts of approaches you might take with the paper and you are welcome to explore anything you feel would help you personally develop, especially since narrative research is, in general, very sympathetic to and supportive of helping people to find their own voices, however those voices might best be expressed

Collaboration Option
Most students tend to write individual papers. However, if you feel that a collaborative approach to this paper would be useful for you to experiment with, that is also fine. Writing collaboratively might allow you to create a play or some other type of multi-voiced text.

Story Framing
During the course, we'll spend time talking about how to frame stories, that is, how to link narratives to outside sources, especially academic sources. People often wrestle with this issue of framing as they write their papers, however, especially if they are writing their first narrative paper. So, while I certainly encourage you to work references into your paper if you can do so in a meaningful way (footnotes, for instance, are a nice way to include citations without breaking the flow of your piece), you are NOT required to include any references if you don't want to. In fact, you might even find it liberating to write a paper where you deliberately try not to make references. On the other hand, I do want you to know up front that it is easiest to publish narrative research in academic journals if you include outside sources; publishers and journal editors are definitely biased in favor of reviewing the relevant literature.

Take a Chance & Trust Yourself
I want you to believe that this is a chance for you to experiment, to make mistakes, to try something new. I'd prefer that. I'm not looking for you to create a perfect, polished piece (I can help you move toward that later). Instead, I want you to stretch yourself, push yourself, try to really learn. So, you might find that writing about a story which is nagging at you, but which you can't quite understand, would be a great learning experience. In my experience, stories that seem important to us, though we're not really sure why, are, ultimately, the best stories for us to write because they hold keys to our understanding of the world. (Of course, I should warn you, those stories are often quite a lot of work to write.) What I'd love best, then, is for you to write a story/paper which teaches you about yourself. If you can achieve that, you'll have taken a key step into a narrative life.



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