Publications
Works in Progress
Contributor, Biographical essay, professional still photos, and analysis of primary documents on silent film producer/actress Corinne Griffith, Women Film Pioneers Sourcebook. Urbana: University of Illinois Pr.
June Mathis: Iconoclast of the Silent Screen. Urbana: University of Illinois Pr. (Biography and scholarly monograph for the Women Film Pioneers Book Series).
Books
American Silent Film: Discovering Marginalized Voices. Carbondale, IL: Southern Illinois UP, 2002 (co-editor with Gregg Bachman; co-author of Introduction; contributor of “June Mathis: A Woman Who Spoke Through Silents”).
A Handbook of Soviet and East European Film and Filmmakers. Westport, CT: Greenwood Press, 1991 (editor-in-chief, author of introduction and essays on the Soviet Union and Czechoslovakia).
Milos Forman: A Bio-Bibliography. Westport, CT: Greenwood Press, 1987.
Essays
Book Review: Cari Beauchamp and Mary Anita Loos. Anita Loos Rediscovered. Univ. of California Pr., 2003. Journal of Film and Video 56.3 (Fall 2004).
Book Reviews: “Charlie Keil. Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Univ. of Wisconsin Pr., 2002” and “Jerome F. Shapiro. Atomic Bomb Cinema: The Apocalyptic Imagination on Film. Routledge, 2002.” Studies in the Humanities, 29.2 (December 2002): 152-54, 166-70.
“Oliver, Godard, and the Violence of Creation: Considering the Relationship of Theater and Film in a (Post-) Apocalyptic Age.” Interdisciplinary Humanities 14.1 (Winter and Spring 1997): 33-62.
“Hollywood’s Myth.” Aristeia Myth Journal of IUP Autumn 1996: 17-31.
“New Directions in Film and Literary Research: A Dual Book Review.” Studies in the Humanities 23.1 (June 1996): 109-13.
“June Mathis: A Woman Who Spoke Through Silents.” Griffithiana: A Journal of Film History 53 (March 1995): 132-69.
“June Mathis: The Silents’ Greatest Writer.” The Silent Film Newsletter 1.7 & 1.8 (Sept. & Oct. 1993): 1-3 & 3-4.
“Why and How to Teach the Intro to Film Course Within English Departments: Some Notes from Personal Experience.” Media Matters (Newsletter of the Assembly on Media Arts, National Council of Teachers of English) 5.1 (Winter 1993): 2-6.
“June Mathis.” Official program for the world premiere of the newly reconstructed Four Horsemen of the Apocalypse (1,000 copies printed). 20 Nov. 1992: np.
“Gauging the Depths of The Film Illusion: Three Books on the American Silent Cinema.” Studies in the Humanities 19.1 (spring 1992): 80-90.
“Teaching Vietnam: The Politics of Documentary.” Inventing Vietnam: The War in Film and Television. Ed. Michael Anderegg. Philadelphia: Temple UP, 1991: 269-90.
“Considering the Active Viewer: The Basis for Seeing the Liberating Impact of Film on Language.” Style 23.4 (1989): 545-65.
“One Flew Over the Cuckoo’s Nest: A Tale of Two Decades.” Film and Literature: A Comparative Approach to Adaptation. Lubbock: Texas Tech UP, 1988: 45-58.
“June Mathis,” “Lenore Coffee,” “Isobel Lennart,” “Eleanor Perry,” “Jo Swerling,” and “Anthony Vieller.” Dictionary of Literary Biography: American Screenwriters: Second Series. Detroit: Gale Research Co., 1986.
“Milos Forman: An Interview, Part II.” Post Script 5.1 (Fall 1985): 2-16.
“Milos Foreman: An Interview, Part II.” Post Script 4.3 (Spring/Summer 1985): 2-15.